CICLO DEL PERDONO (Forgiveness cycle)
Che cos’è il perdono? E.R.
What is forgiveness? E.R.
DAN: Pensi che l’amore sia semplice. pensi che il cuore sia come un diagramma.
LARRY: Hai mai visto un cuore umano? Assomiglia a un pugno immerso nel sangue! Vaffanculo. Scrittore! Bugiardo! (Patrick Marber)
DAN: You think love is simple. You think the heart is like a diagram.
LARRY: Have you ever see a human heart? It looks like a fist wrapped in blood! Go fuck yourself. You writer! You liar! (Patrick Marber)
A HUMAN HEART LOOKS LIKE A FEST WRAPPED IN BLOOD (2010)
VIDEO STILL from video installation and photographs
SITU, 160 x 105 cm,
Lambda Print on Aluminium/plexi,
2010
A human heart looks like a feast wrapped in blood, 25×20 cm
Lambda Print on Aluminium mat, black frame
A human heart looks like fest wrapped in blood
60 x 48 cm + 60 x 48 cm, Lambda Print on Aluminium mat (2 pieces)
2010
SITU II, 40 x 36 cm, Lambda Print on Aluminium/plexi
2010
I’M SORRY (2010)
VIDEO STILL from video installation and photographs
CATHARSIS IV, 70 x 52 cm
Lambda Print on Aluminium mat, white frame
CATHARSIS II, 115 x 85 cm
Lambda Print on Aluminium/plexi
CATHARSIS I, 183 x 145 cm
Lambda Print on Aluminium/plexi
CATHARSIS III, 183 x 145 cm
Lambda Print on Aluminium/plexi
ADDRESSEE (2010)
VIDEO STILL from video installation and photographs
Addressee IV, 140 x 183 cm
Lambda Print on Aluminium/plexi
Addressee I, 50 x 33 cm + 50X 33 cm (dittico)
Lambda Print on Aluminium mat, white frame
Addressee III, 50 x 33 cm
Lambda Print on Aluminium mat, white frame
NUMB_CONFESSION N. 2 (2010)
VIDEO STILL from video installation
NUMB_CAR CONFESSION
cm 70 X 100, Lambda Print on Aluminium/plexi
NUMB_REDEEM, cm 70 X 100
Lambda Print on Aluminium/plexi
NUMB_REDEEM II, cm 70 X 100
Lambda Print on Aluminium/plexi
HOPE IS THE LAST TO DIE (2010)
VIDEO from video installation
Hope is the last to die, cm 70 X 100
Lambda Print on Aluminium/plexi
Hope is the last to die II, cm 70 X 100
Lambda Print on Aluminium/plexi
CICLO DEGLI ELEMENTI (Cycle of elements)
ll perturbante è il titolo di un saggio di Sigmund Freud, “…….una particolare attitudine del sentimento più generico della paura, che si sviluppa quando una cosa (o una persona, un’impressione, un fatto o una situazione) viene avvertita come familiare ed estranea allo stesso tempo, cagionando generica angoscia unita ad una spiacevole sensazione di confusione ed estraneità.”
The perturbant is the title of an essay by Sigmund Freud, “……. a particular attitude of the most generic feeling of fear, which develops when a thing (or a person, an impression, a fact or a situation ) is felt as a familiar and foreign at the same time, causing generic anguish with an unpleasant feeling of confusion and extraneousness. “
FW/RW_THE FIRE (2008)
VIDEO STILL from video installation
FW/RW_THE FIRE I, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE FIRE II, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE FIRE III, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RE_THE AIR (2009)
VIDEO STILL from video installation
FW/RW_THE AIR I, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE AIR II, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE AIR III, cm 70 X 140, Lambda Print on Aluminium/plexi
FW/RW_THE AIR IV, cm 70 X 100, Lambda Print on Aluminium/plexi
FW/RW_THE EARTH (2009)
VIDEO STILL from video installation
FW/RW_THE EARTH I, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE EARTH II, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE EARTH III, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RE_THE WATER (2009)
VIDEO STILL from video installation
FW/RW_THE WATER I, cm 150 X 120
Lambda Print on Aluminium/plexi
FW/RW_THE WATER II, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE WATER III, cm 70 X 100
Lambda Print on Aluminium/plexi
FW/RW_THE ZOO (2009)
VIDEO STILL from video installation
FW/RW_THE ZOO II, cm 70 X 140
Lambda Print on Aluminium/plexi
FW/RW_THE ZOO I, cm 70 X 140
Lambda Print on Aluminium/plexi
FW/RW_THE ZOO III, cm 70 X 140
Lambda Print on Aluminium/plexi
CICLO DELLE ISOLE (Islands cycle)
Quest’ordine del mondo, che è lo stesso per tutti, non lo fece né uno degli dei, né uno degli uomini, ma è sempre stato ed è e sarà fuoco vivo in eterno, che al tempo dovuto si accende e al tempo dovuto si spegne.
Heracl. fr. 30 D.-K.
This order of the world, which is the same for everyone, did not make it one of the gods, nor one of the men, but it has always been and is and will be lively fire forever, which at the time due to light up and the time due turns off. Heracl. fr. 30 D.-K.
OUROBOROS (2021)
VIDEO STILL from video installation and photographs
Lipari’s dream, notes for a film
45x30cm Stampa fotografica su carta cotone
A mediterranean totem
30x30cm, Stampa fotografica su carta cotone
Lipari’s dream, notes for a film II
30×30 cm, Stampa fotografica su carta cotone
A mediterranean totem II,
Stampa fotografica su carta cotone
PROSOPA (2021)
VIDEO STILL from video installation and photographs
PROSOPA – Video still I
45×30 cm, Stampa fotografica su carta cotone
Ouroboros – Video still II
45×25,32cm, Stampa fotografica su carta cotone
Ouroboros – Video still IV
45×25,32cm Stampa fotografica su carta cotone
Ouroboros – Video still IV
45×25,32cm, Stampa fotografica su carta cotone
RESISTANCE, EXSERCISE OF BEAUTY (2015)
VIDEO STILL from video installation
Resistance, exercise of beauty- 100x60cm circa. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice posteriore
CICLO “ATLANS FEMINAE” (“Atlans Feminae” cycle)
A lato di ciò che ho visto, al margine di ciò che ho letto, ho scorto il racconto di qualcosa che credo ci riguardi.
E.R.
On the side of what I have seen, at the edge of what I’ve read, I saw the story of something I think talk about us. E.R.
NEC SPE, NEC METU_ISABELLA D’ESTE (2021)
VIDEO STILL from video installation
NEC SPE, NEC METU_whisper eyes open_Isabella d’Este
Diptych 40×120 + 90×120 cm
NEC SPE, NEC METU_impresa delle pause_Isabella d’Este
Triptych 60×30 + 60×30 + 60×30 cm
NEC SPE, NEC METU_impresa delle pause_Isabella d’Este
Diptych 30×15 + 70×140 cm
NEC SPE, NEC METU_SOFONISBA ANGUISSOLA (2022)
VIDEO STILL from video installation and photographs
NEC SPE, NEC METU_il morso_Sofonisba Anguissola
Truptych 50×100 + 50×100 + 50×100 cm
NEC SPE, NEC METU_il morso_ritratto_Sofonisba Anguissola
60×80 cm
GIU’ IN FONDO_LEONORA CARRINGTON (2023)
VIDEO STILL from video installation and polaroid
GIU’ IN FONDO_Leonora Carrington young I
100×120 cm
GIU’ IN FONDO_Leonora Carrington young II 100×120 cm
GIU’ IN FONDO_Leonora Carrington young polaroid
GIU’ IN FONDO_Leonora Carrington old I 100×120 cm
GIU’ IN FONDO_Leonora Carrington old II 100×120 cm
GIU’ IN FONDO_Leonora Carrington old polaroid
L’ALLODOLA_FERNANDA WITTGENS (2023)
VIDEO STILL from video installation, photographs and polaroid
L’ALLODOLA_FERNANDA WITTGENS, video still I 100×120 cm
L’ALLODOLA_FERNANDA WITTGENS, video still II 100×120 cm
L’ALLODOLA_FERNANDA WITTGENS, video still III 100×120 cm
L’ALLODOLA_FERNANDA WITTGENS, photo on paper 100×120 cm
FRAGMENTS_PIGMENTI (2022)
Photographs
L’opera installativa multidisciplinare e autobiografica, si compone di 3 fotografie, 3 video e 3 disegni su carta di formati variabili in dialogo tra loro.
Ogni soggetto ritratto è colto in alcuni momenti della propria quotidianità pubblica e privata. L’artista, attraverso l’utilizzo di tre media differenti ma complementari, si pone nel ruolo di osservatore che, grazie all’utilizzo di diversi approcci visivi, analizza composizione, forma, tempo e spazio in riferimento ai pigmenti scelti, il colore della pelle con vitiligine, il verde. della tinta per capelli e il blu del colarante della gomma da masticare.
The multidisciplinary and autobiographical installation work consists of 3 photographs, 3 videos and 3 drawings on paper of variable formats in dialogue with each other. Each portrayed subject is captured in some moments of his or her public and private daily life. The artist, through the use of three different but complementary media, places herself in the role of observer who, thanks to the use of different visual approaches, analyzes composition, shape, time and space in reference to the chosen pigments, skin color with vitiligo, green. of hair dye and the blue colorant of chewing gum.
Pericle, pigmenti- 35x24cm. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice posteriore
Laura, pigmenti 30x23cm. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice posteriore
Martino, pigmenti 25x17cm. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice posteriore
DANS LA NUIT (2022) Location: Isola di Salina
Photographs
Abbiamo tutti un rapporto selvaggiamente tumultuoso con la notte.
Elise
We all have a wildly tumultuous relationship with the night.
Elise
Dans la nuit I, 35x24cm. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice a cassetta
Dans la nuit II, 35x24cm. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice a cassetta
Dans la nuit III, 35x24cm. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice a cassetta
Dans la nuit VI, 35x24cm. stampa su carta semilucida + pannello in alluminio Dibond da 3mm. + cornice a cassetta